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who is igor stravinsky ?

igor stravinsky (17 June [O.S. 5 June] 1882 – 6 April 1971) was a Russian-born composer, pianist, and conductor, considered by many to be one of the most important and influential composers of 20th century music.igor stravinsky was a quintessentially cosmopolitan Russian who was named by Time magazine as one of the 100 most influential people of the century.[4] In addition to the recognition igor stravinsky received for his compositions, igor stravinsky also achieved fame as a pianist and a conductor, often at the premieres of his works.

igor stravinsky music compositional career was notable for its stylistic diversity. igor stravinsky first achieved international fame with igor stravinsky music ballets commissioned by the impresario Sergei Diaghilev and performed by Diaghilev's Ballets Russes (Russian Ballets): L'Oiseau de feu ("The Firebird") (1910), Petrushka (1911/1947), and Le Sacre du printemps ("The Rite of Spring") (1913). The Rite, whose premiere provoked a riot, transformed the way in which subsequent composers thought about rhythmic structure, and was largely responsible for igor stravinsky music enduring reputation as a musical revolutionary, pushing the boundaries of musical design.

After this first Russian phase igor stravinsky turned to neoclassicism in the 1920s. igor stravinsky songs from this period tended to make use of traditional musical forms (concerto grosso, fugue, symphony), frequently concealed a vein of intense emotion beneath a surface appearance of detachment or austerity, and often paid tribute to the igor stravinsky songs of earlier masters, for example J. S. Bach and Tchaikovsky.

In the 1950s igor stravinsky songs adopted serial procedures, using the new techniques over his last twenty years. igor stravinsky songs compositions of this period share traits with all of his earlier output: rhythmic energy, the construction of extended melodic ideas out of a few two- or three-note cells, and clarity of form, of instrumentation, and of utterance.

igor stravinsky also published a number of books throughout his career, almost always with the aid of a collaborator, sometimes uncredited. In his 1936 autobiography, Chronicles of My Life, written with the help of Walter Nouvel, igor stravinsky music included his infamous statement that "music is, by its very nature, essentially powerless to express anything at all."[5] With Alexis Roland-Manuel and Pierre Souvtchinsky he wrote his 1939–40 Harvard University Charles Eliot Norton Lectures, which were delivered in French and later collected under the title Poétique musicale in 1942 (translated in 1947 as Poetics of Music).[6] Several interviews in which the composer spoke to Robert Craft were published as Conversations with igor stravinsky music .[7] They collaborated on five further volumes over the following decade.
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