Thursday, July 30, 2009

love aaj kal movie review | love aaj kal hit or flop rating

love aaj kal movie review

love aaj kal movie review - Worth wathing once

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love aaj kal movie story

love aaj kal ( past)
Delhi, Calcutta - 1965.Veer Singh is struck by the thunderbolt when he sees Harleen for the first time. Soon after, he stands under a tree and swears that “in this life and every life hereafter, Hareleen Kaur will be my life” He travels a thousand kilometres by train to stand under her balcony only to have a glimpse of her face. And yet not speak a word with her.

love aaj kal ( present)

London, San Francisco, Delhi - 2009. Veer does not understand how Jai can treat matters of the heart without passion, like a financial transaction. Jai does not understand how Veer Singh could have been so naïve and silly about Harleen in the days of his youth.

But as both stories unfold, we realize that the process of relationship might be different in different eras, but the experience of being in love remains the same.So there is the frolic and despair of modern living. The liberation and confusion. And there is the past – the times of innocence and compulsion. And there is distance, and the fondness that increases with distance. Gaps widen between two people, but bridges keep growing too.

love aaj kal movie review by times of india

There are three reasons why you must catch Love Aaj Kal ASAP – dialogues, performances and music. Imtiaz Ali's tale of love, then and now is a light hearted and refreshing watch.

Burnout, commitment phobia, long distance relationships – issues the minus 30-generation can easily identify with, are subtly touched upon thought the movie. Here's a film that actually talks the talk.

Like Socha Na Tha and Jab We Met, Imtiaz Ali's third film also rests on a wafer-thin plot. The director uses smart one-liners and life-like situations to take the story forward. Love Aaj Kal is about Jai (Saif Ali Khan) an urban, alpha male who can't understand the meaning of love. His girl friend Meera (Deepika Padukone) also believes in choosing career over romance. After a mutual breakup, Jai meets the grand old Veer (Rishi Kapoor). He narrates his own love story to give Jai a peak into old-fashioned romance. The conflicting approaches to love form the base of Love Aaj Kal.

toi rating of love aaj kal - Love Aaj Kal

When you make a riotous romance like Jab We Met, you really can't blame the audience for expecting the moon and the sky with your nextfilm.

Chalo, let's get drunk with one more heady potion of Pyar, Imtiaz ishtyle, you tell yourself before sauntering in for his latest, Love Aaj Kal.

And no, you aren't disappointed at all. Because, this time, the effervescence and adrenalin rush of impetuous love, resonant in the romance of Geet and Aditya in Jab We Met, has been replaced by a more serious and realistic take on modern love. The film literally holds up a mirror to the commitment phobia of the young, successful professionals who keep changing their status from `committed' to `single' on the sundry social networking sites. Much to the chagrin of their dads and mums who fail to understand this emotional dilettantism and keep badgering them with love-of-a-lifetime cliches.

The secret of director Imtiaz Ali's film making lies basically in three primordial areas. Instead of relying heavily on a three-hour long script, he chooses to concentrate on his dialogues: crisp, concise and completely in sync with aaj ka lingo. All of Saif's babblings about love sans marriage and Deepika's discourses on career and cumbersome commitment are straight out of real-life ramblings in pubs, discotheques and coffee shops.

Secondly, it's the characterisations that literally set the screen on fire, with their highly individualistic streak coupled with their sad vulnerability. Here again, Saif Ali Khan's Jai and Deepika's Meera aren't your run-of-the-mill Romeos. While cool dude Jai dreams of building bridges like the Golden Gate and cannot see romance coming in the way of his career, restoration artist, Meera too feels long distance relationships are a drag when she decides to move from London to repaint frescoes in Delhi. Refreshingly, this romance actually begins with a break and then goes through umpteen twists and turns, before the new age Jai realises he ain't much different from the old-fashioned Veer (Rishi Kapoor) who lived out the Heer-Ranjha story in the less cluttered 1960s. Both Jai and Meera try to live out their lives independently, simply as friends, pursuing their careers and different love interests. But ironically, they keep bumping into each other at odd junctures of their life, babbling incoherently (and funnily) to avoid the senty soulmate signals. And Saif's absolutely delightful with his gibberish take on I'm okay, you're okay, we're okay, while the scene's actually yelling out something else.

Thirdly, like Jab We Met, this film too scores in the lush atmospherics that anchor the drama so exotically. London, San Franciso are fine, but it's actually Delhi that once again sweeps you off your feet as it stands by as a sweet and vibrant witness to the wooing and shooing, both in the 1965 romance and the 2009 something-like-love story. Playing a major role in creating the right ambience is Pritam's foot tapping music score too which boasts of a number of chartbusters.

On the flip side, the first half does ramble a bit and takes time to build up into a riveting second half. But the alluring performances by the lead pair do cover up for the langorous bits. Deepika is definitive and strong as Meera, the modern girl who has an individuality of her own. But it is Saif who renders so many shades to his character to make it seem so very real: confident, confused, careerist, homebody, fancy-free, foolishly in love.

Final query. How do Meera and Jai resolve their long-distance-relationships-don't-work dilemma? We'd like to believe the bridge-builder moves in with the restoration artist in saddi Dilli! Go watch it for it's GenNow feel and it's ekdum modern appeal.

love aaj kal movie review by india times -

indiatimes rating of love aaj kal - /photo.cms?msid=4729969

Filmmaking standards in Bollywood seem to have gone really high love aaj kal movie review. Producers now opt for Sylvester Stallone over Sunny Deol for that mandatory special appearance in the climax as the messiah who saves the heroine from hoodlums. The shady second female fiddle who the heroine keeps abusing through the film has upgraded from Rakhi Sawant to Denise Richards. If that indirect insult to Hollywood still seems indicative, there is much more hardcore swearing in store love aaj kal movie review .

The heroine and hero refer to each love aaj kal movie review other as ‘dog’ and ‘bitch’ throughout. She adds that men have no IQ. Director Sabbir Khan either believes the same for his audience or is the species of men that the heroine is referring to. That’s because he treats the film with such childish cheekiness that you are amazed by the audacity with which the love aaj kal movie review offends the idea of entertainment.

Viraj (Akshay Kumar), an Indian stuntman working in Hollywood, is a compulsive womanizer who goes flirting around with every other woman in the town. Hey Baby, doesn’t that Akki sound familiar? For one good hour he goes on flirting outrageously with Simrita (Kareena Kapoor), a supermodel who is more of a mannequin with a disgusted face. The battle of sexes works adversely on your reflexes amidst jarring songs love aaj kal movie review, commotional cake-fights, loud performances and toilet humour.

love aaj kal movie review by sify

The more the level of gimmickry in a love aaj kal movie review, fewer are the chances of it being watchable. When filmmakers love aaj kal movie review hype the product over Hollywood stars, a bikini scene, or the locationlove aaj kal movie review; you can be sure the film’s got nothing. And love aaj kal movie review confirms this fear.

Yes, it’s been shot in Hollywood love aaj kal movie review, there’s a scene in Kodak Theater (the Oscars venue), and Sylvester Stallone, Denise Richards and Brandon Routh make appearances. But to hell with such gimmicks when sitting through the film is such torture.

Akshay Kumar who needs a hit after several debacles, reprises his role as the chauvinist playboy after Garam Masala and Heyy Babyy. The cliché of a leading man who beds numerous womenlove aaj kal movie review, mostly foreigners (the audience, they reckon, will feel no guilt as westerners are loose anyway, right?), falling for the only woman who isn’t affected by his charms; and the two finally ending together is ballistic.

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